For the first time in years, Leo didn’t know where to put his hands. He didn’t pre-smile. He didn’t find his light. He just stood in the dusty hallway of the Victorian house, feeling foolish in the big sweater, and he thought about his real secret. He had never climbed a tree. He had never broken anything on purpose. The most rebellious thing he had ever done was eat a slice of pizza with his hands instead of a fork and knife.

Leo realized, sitting alone in his pristine bedroom, that he had been modeling the wrong thing his entire life. He had modeled clothes, watches, perfume—empty vessels for other people’s desires. But in that crumbling Victorian house, he had modeled something real: the strange, quiet ache of being fifteen and not knowing who you are.

“You looked sad in the treehouse picture,” another said. “I get it.”

In a studio, between shots, the world compressed to a series of clicks and whispers. Stylists patted his hair with the reverence of bomb disposal experts. The photographer, a man named Gregor who wore the same black turtleneck every day, would look at the back of his camera and murmur, “Yes. Dead. Good. Now give me… hungry.”