The rocker. Tired of being labeled "soft," Billy smashed a car through the wall of his own reputation. “You May Be Right,” “Sometimes a Fantasy,” “It’s Still Rock and Roll to Me.” The leather jacket fits him well. Highlight: The fight between the acoustic and electric guitars on “Close to the Borderline.” The Eighties Pop Era (1981–1986) The Nylon Curtain (1982) The Beatles worship. This is his most lush, produced, and politically aware record. “Allentown” and “Goodnight Saigon” are heartbreaking blue-collar anthems. It didn’t have the dance hits, but it has the artistic weight. Sleeper: “Laura” – a manic, paranoid banger.

From the angsty young man of Cold Spring Harbor to the elder statesman of Fantasies & Delusions , Billy’s catalog is surprisingly diverse. Yes, there are the Greatest Hits volumes that every dad owns, but the deep cuts? That’s where the magic lives.

The transitional record. Featuring “A Matter of Trust” and the duet “This Is the Time.” It also has “Modern Woman” (from the movie Ruthless People ). It’s inconsistent, but when it hits, it hits hard. The Late Era & The Classical Turn (1989–2001) Storm Front (1989) The comeback (volume 2). “We Didn’t Start the Fire” is a history lesson in 4 minutes. “Leningrad” is unexpectedly touching. And “I Go to Extremes” is the ADHD anthem we didn’t know we needed.