The entire series rests on his shoulders, and he carries it with effortless charisma. Sy’s Assane is magnetic—whether he’s charming a museum guard, outrunning police across rooftops, or breaking down in a quiet moment of grief for his father. He makes you root for a criminal because his motives are pure: love for his family and a quest for justice. He’s part James Bond, part Robin Hood, and entirely watchable.
Unlike many heist thrillers, Lupin has genuine emotional weight. The relationship between Assane and his teenage son, Raoul, is the show’s secret weapon. Assane’s fear of becoming an absent father like his own drives every risk he takes. The show also beautifully incorporates themes of immigration, class struggle, and the legacy of colonialism in France—without ever feeling like a lecture. lupin serie netflix
The Paris setting is used perfectly. The Louvre, the Musée d’Orsay, the Catacombs, and even the Eiffel Tower become stages for suspense. The cinematography is slick, the fashion sharp, and the jazz-infused score is cool and breezy. It feels unmistakably French. The entire series rests on his shoulders, and
Sherlock , Money Heist , The Crown (for the French palace intrigue), or any movie where the underdog wins. He’s part James Bond, part Robin Hood, and
The first two parts (originally released as one 10-episode season) are tightly plotted. Part 3 (Season 3) feels more like a victory lap. The heists are still fun, but the story loses some of its emotional core, introducing new villains and a “one-last-job” structure that feels recycled. It’s still good—just not as essential.
Inspired by the classic French gentleman thief Arsène Lupin (created by Maurice Leblanc), this modern update follows Assane Diop (Omar Sy). As a teenager, Assane watched his father—a chauffeur for the wealthy Pellegrini family—be framed for stealing a priceless diamond necklace and die in prison. Twenty-five years later, Assane uses the wit, charm, and disguises of his literary hero Lupin to exact revenge on Hubert Pellegrini and clear his father’s name. What follows is a cat-and-mouse game across Paris, blending high-stakes heists with a deeply personal vendetta.
Hubert Pellegrini is a mustache-twirling billionaire who is evil for the sake of being evil. His daughter, Juliette, is more interesting but underused. You never fear the antagonists the way you fear, say, a Gus Fring. They lack depth, making the revenge plot feel slightly less urgent than it should.