Daniella Make Mine A Trip... | Lustery E419 Anca And Laurent Romary Charles Riondet rev5 Inria 2017-03-29

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this specification document is based on the Encoded Archival Description Tag Library EAD Technical Document No. 2 Encoded Archival Description Working Group of the Society of American Archivists Network Development and MARC Standards Office of the Library of Congress 2002 and on EAD 2002 Relax NG Schema 200804 release SAA/EADWG/EAD Schema Working Group

Foreword

About EAD

EAD stands for Encoded Archival Description, and is a non-proprietary de facto standard for the encoding of finding aids for use in a networked (online) environment. Finding aids are inventories, indexes, or guides that are created by archival and manuscript repositories to provide information about specific collections. While the finding aids may vary somewhat in style, their common purpose is to provide detailed description of the content and intellectual organization of collections of archival materials. EAD allows the standardization of collection information in finding aids within and across repositories.

Daniella Make Mine A Trip... | Lustery E419 Anca And

The rain softened. The wine ran out. And somewhere between a story about a limestone cavern in Romania and Anca admitting she’d never been kissed like she meant it, the space between them collapsed.

They sat cross-legged on the giant floor cushion that served as a bed, passing the bottle back and forth. Daniella was a geologist, she learned. She studied caves. “Dark places where water takes thousands of years to make something beautiful,” she said. Anca laughed—a real laugh, the kind she’d forgotten she had.

Anca turned her head, smiling in the dark. “The best. But I don’t want the return ticket.”

Later—minutes or hours, time had become a lazy river—they lay tangled in the sheets. Daniella traced idle patterns on Anca’s stomach.

“Sorry,” Daniella said, her voice low and warm. “The hotel overbooked. They said we could either share the suite or sleep in the lobby. I figured… wine?”

Scope

The EAD ODD is a XML-TEI document made up of three main parts. The first one is, like any other TEI document, the teiHeader, that comprises the metadata of the specification document. Here we state, among others pieces of information, the sources used to create the specification document in a sourceDesc element. Our two sources are the EAD Tag Library and the RelaxNG XML schema, both published on the Library of Congress website. The second part of the document is a presentation of our method (the foreword) with an introduction to the EAD standard and a description of the structure of the document. This part contains some text extracted from the introduction of the EAD Tag Library. The third part is the schema specification itself : the list of EAD elements and attributes and the way they relate to each others.

Normative references EAD: Encoded Archival Description (EAD Official Site, Library of Congress) Library of Congress Library of Congress 2015-11-24T09:17:34Z http://www.loc.gov/ead/ Encoded Archival Description Tag Library - Version 2002 (EAD Official Site, Library of Congress) Library of Congress 2017-05-31T13:12:01Z http://www.loc.gov/ead/tglib/index.html Records in Contexts, a conceptual model for archival description. Consultation Draft v0.1 Records in Contexts, a conceptual model for archival description. Experts group on archival description (ICA) Conseil international des Archives 2016 http://www.ica.org/sites/default/files/RiC-CM-0.1.pdf

The rain softened. The wine ran out. And somewhere between a story about a limestone cavern in Romania and Anca admitting she’d never been kissed like she meant it, the space between them collapsed.

They sat cross-legged on the giant floor cushion that served as a bed, passing the bottle back and forth. Daniella was a geologist, she learned. She studied caves. “Dark places where water takes thousands of years to make something beautiful,” she said. Anca laughed—a real laugh, the kind she’d forgotten she had.

Anca turned her head, smiling in the dark. “The best. But I don’t want the return ticket.”

Later—minutes or hours, time had become a lazy river—they lay tangled in the sheets. Daniella traced idle patterns on Anca’s stomach.

“Sorry,” Daniella said, her voice low and warm. “The hotel overbooked. They said we could either share the suite or sleep in the lobby. I figured… wine?”