By [Your Name]
Playing cello from only the parte is like having a telephone conversation. You hear your voice and the other voice, but you miss the body language, the room, the environment.
Playing from the Partitura is like watching a movie in IMAX. You see the hero (sometimes it’s you, the cello!), but you also see the villain (the timpani), the sidekick (the violas), and the landscape (the flutes).
The next time you are frustrated with a passage of fast string crossings or a boring accompaniment figure, pull up the full score on IMSLP. Look at what the cello is actually doing for the music . You might realize that your simple G-D-G-D pattern is the heartbeat holding the entire symphony together.
By [Your Name]
Playing cello from only the parte is like having a telephone conversation. You hear your voice and the other voice, but you miss the body language, the room, the environment. partitura violoncelo
Playing from the Partitura is like watching a movie in IMAX. You see the hero (sometimes it’s you, the cello!), but you also see the villain (the timpani), the sidekick (the violas), and the landscape (the flutes). By [Your Name] Playing cello from only the
The next time you are frustrated with a passage of fast string crossings or a boring accompaniment figure, pull up the full score on IMSLP. Look at what the cello is actually doing for the music . You might realize that your simple G-D-G-D pattern is the heartbeat holding the entire symphony together. You see the hero (sometimes it’s you, the cello