Raw Flip Fuck - Reece Scott Brian Bowie - Dow... File
Tráiler
Noticias
Imágenes
La Misa como nunca te la habían contado. Un deslumbrante recorrido a través del sentido bíblico del sacrificio -desde la Creación hasta nosotros- acompañados por anfitriones de lujo: Eduardo Verástegui, el autor súper ventas Scott Hahn, el bicampeón de Fórmula 1 Emerson Fittipaldi, el Barrabás de La Pasión de Cristo Pietro Sarubbi, Raniero Cantalamessa... y por jóvenes 'besados' por Dios. Con increíbles imágenes de la naturaleza de Brasil e Islandia; rodado en la Playa de las Catedrales (Lugo) y en Matera (Italia).
| Título original: | EL BESO DE DIOS |
| Año: | 2022 |
| Fecha estreno: | 22-04-2022 |
| País: | España |
| Dirección: | P. Ditano |
| Guion: | P. Ditano |
| Productores: | Arturo Sancho y P. Ditano |
| Música: | Almighty y Andrea Bocelli |
| Dir. producción: | Alfonsina Isidor |
| Montaje: | P. Ditano |
| Fotografía: | César Pérez, Víctor Entrecanales y Dan Johnson |
| Mezcla sonido: | David Machado |
| Género: | Documental |
| Duración: | 76 min. |
| Distribuidora: | European Dreams Factory |
| EDUARDO VERÁSTEGUi | narrador (voz) |
| EMERSON FiTTiPALDi | entrevistado |
| SCOTT HAHN | narrador y entrevistado |
| PiETRO SARUBBi | actor, narrador y entrevistado |
| CARDENAL CANTALAMESSA | entrevistado |
| BRiEGE McKENNA | entrevistada |
| MARY HEALY | entrevistada |
| RALPH MARTiN | entrevistado |
| JOSÉ PEDRO MANGLANO | entrevistado |
| TONY GRATACÓS | entrevistado |
| BEA MORiILLO | entrevistada |
| FER RUBiO | entrevistado |
Not everyone is a fan. Some critics call the schtick “manufactured rawness.” Others question the sustainability of a brand built on chaos. Bowie acknowledges the tension.
In an era of polished content, one creator’s raw, unfiltered approach is reshaping DIY culture and nightlife.
What’s next for Reece Scott Brian Bowie? A book deal? A reality show? A complete disappearance? He won’t say. But as he walks out of the warehouse into the downtown dusk, he offers this: “Watch the trash. That’s where the treasure is.”
Two years ago, Bowie was working as a night-shift delivery driver. In his spare time, he filmed himself deconstructing everyday objects—a broken toaster, a stained couch, a discarded screenplay—and reassembling them into something absurdly functional or intentionally useless. The first viral video (11 million views) showed him turning a pile of downtown parking tickets into a papier-mâché piñata shaped like a parking boot.
Not everyone is a fan. Some critics call the schtick “manufactured rawness.” Others question the sustainability of a brand built on chaos. Bowie acknowledges the tension.
In an era of polished content, one creator’s raw, unfiltered approach is reshaping DIY culture and nightlife.
What’s next for Reece Scott Brian Bowie? A book deal? A reality show? A complete disappearance? He won’t say. But as he walks out of the warehouse into the downtown dusk, he offers this: “Watch the trash. That’s where the treasure is.”
Two years ago, Bowie was working as a night-shift delivery driver. In his spare time, he filmed himself deconstructing everyday objects—a broken toaster, a stained couch, a discarded screenplay—and reassembling them into something absurdly functional or intentionally useless. The first viral video (11 million views) showed him turning a pile of downtown parking tickets into a papier-mâché piñata shaped like a parking boot.
