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The film’s genius is its opening train sequence. Judy Hopps, wide-eyed and fresh from Bunnyburrow, watches as the landscape shifts from rainforest to tundra to desert to miniature rodent city. The message is clear: This place was built for everyone.
Except, he wasn't. He was a human being having a mental health crisis. But our lizard brains don't know the difference. The amygdala doesn't read diagnostic manuals. It just screams: Big. Loud. Teeth? Run. Searching for- zootopia in-
a world where we’ve all been darted by fear. Nick Wilde and the Mask of the Sly But the film offers a quieter, more painful kind of searching. Meet Nick Wilde. The fox. The con artist. The mammal who was told at twelve years old, while trying to join the Junior Ranger Scouts, that he couldn't be trusted. “A fox is a predator and a predator cannot be anything else.” The film’s genius is its opening train sequence