The supporting cast is a time capsule of 1960s character actors. Jonathan Winters plays a fast-talking, cynical general with a crew cut. John Astin (fresh off The Addams Family ) is a manic press agent. And in a small, sweaty role as a Texas governor, a young character actor named John Hillerman steals every scene.
Viva Max! was not a good movie. But it was a brave one. And in an era where border politics are no laughing matter, a comedy that dares to laugh at the very idea of a border might be exactly what we need—or exactly why Hollywood is too scared to make it today.
What follows isn’t a war. It’s a farce. The local police, led by a bumbling chief (Harry Morgan, in full Dragnet mode), surround the mission. The Texas National Guard rolls in. A cynical reporter (Pamela Tiffin) turns it into a national obsession. And Max, utterly bewildered by his own success, tries to negotiate by demanding a new pair of boots and a pardon for his horse. The film’s secret weapon is Peter Ustinov, the Oscar-winning polymath who could play everything from Nero to Hercule Poirot. His General Max is no villain; he’s a romantic, a fool, and a surprisingly dignified man trapped in a clown’s scenario. Ustinov plays the role with a twinkle that suggests he alone understands the joke. Viva Max
But more than 50 years later, Viva Max! — a film that is equal parts Dr. Strangelove and The Three Stooges — deserves a second look. Not just as a historical curio, but as a eerily prescient satire about performative patriotism, media circuses, and the absurdity of borders. General Maximilian Rodrigues de Santos (Ustinov), a proud but perpetually overlooked officer in the Mexican army, is tired of being ignored by his girlfriend and his superiors. To win back his honor, he hatches a ludicrous plan: he will retake the Alamo. Not the 1836 Alamo, but the modern-day tourist trap in San Antonio, Texas.
The answer, according to the film’s box office receipts: audiences would rather watch Neil Armstrong take one small step than watch Peter Ustinov take one very silly one. The supporting cast is a time capsule of
Critics were brutal. The New York Times called it "a one-joke movie that forgets to be funny." Roger Ebert admitted it had "a few inspired moments" but concluded it was "too gentle for satire, too frantic for realism."
With a ragtag platoon of teenage cadets and a horse named after a Spanish poet, Max crosses the Rio Grande. He finds the Alamo defended by exactly one sleepy security guard. Within an hour, the Mexicans have "reclaimed" the shrine, run up the Mexican flag, and confused the hell out of a group of schoolchildren. And in a small, sweaty role as a
Stream it for Ustinov’s performance. Stay for the strange, uncomfortable feeling that the joke is still on us. Note on availability: Viva Max! is currently available on DVD via the Warner Archive Collection and occasionally surfaces on streaming services like Amazon Prime or Tubi.