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The problem is that most love triangles are asymmetrical. The writers make the "wrong" choice obviously evil or boring, and the "right" choice obviously perfect. That’s not a triangle; that’s a foregone conclusion.

Romantic storylines are our cultural rehearsal for vulnerability. When we watch two people overcome their flaws and choose each other, our brains release oxytocin—the bonding chemical. We feel less alone. Www. sexwapmobi .com

You can write a tragic ending (see: La La Land or Casablanca ), but you must recognize that you are writing a different genre. A tragedy about missed connections is powerful. A romance without a HEA is a betrayal of the contract with the reader. The problem is that most love triangles are asymmetrical